Vincent van Gogh
Vincent van Gogh's Oil Paintings
Vincent van Gogh Museum
1853 – 1890. Dutch post-Impressionist painter.

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Kazimir Malevich
half figure with a pink face

ID: 68755

Kazimir Malevich half figure with a  pink face
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Kazimir Malevich half figure with a  pink face


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Kazimir Malevich

1878-1935 Russian painter, printmaker, decorative artist and writer of Ukranian birth. One of the pioneers of abstract art, Malevich was a central figure in a succession of avant-garde movements during the period of the Russian revolutions of 1905 and 1917 and immediately after. The style of severe geometric abstraction with which he is most closely associated, SUPREMATISM, was a leading force in the development of CONSTRUCTIVISM, the repercussions of which continued to be felt throughout the 20th century. His work was suppressed in Soviet Russia in the 1930s and remained little known during the following two decades. The reassessment of his reputation in the West from the mid-1950s was matched by the renewed influence of his work on the paintings of Ad Reinhardt and on developments  Related Paintings of Kazimir Malevich :. | peasants | Suprematism | suprematism | black square | Suprematist Composition White on White, |
Related Artists:
Anna Chamberlain Freeland
1837-1911
Koloman Moser
Koloman Moser (German pronunciation: [ˈkoːloman ˈmoːzɐ]) (March 30, 1868 - October 18, 1918) was an Austrian artist who exerted considerable influence on twentieth-century graphic art and one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte. During his life, Moser designed a wide array of art works - books and graphic works from postage stamps to magazine vignettes; fashion; stained glass windows, porcelains and ceramics, blown glass, tableware, silver, jewelry, and furniture - to name a few of his interests. Born in Vienna, he studied at the Wiener Akademie and the Kunstgewerbeschule, where he also taught from 1899. His designs in architecture, furniture, jewelry, graphics, and tapestries helped characterize the work of this era. Moser drew upon the clean lines and repetitive motifs of classical Greek and Roman art and architecture in reaction to the Baroque decadence of his turn-of-the-century Viennese surroundings. In 1901/1902, he published a portfolio titled Die Quelle ("The Source") of elegant graphic designs for such things as tapestries, fabrics, and wallpaper. In 1903, Moser and his colleague Josef Hoffmann founded Wiener Werkstätte, whose studios and artisans produced a number of aesthetically and functionally designed household goods, including glassware, flatware, silverware, and textiles. In 1904, he created the Apse mosaic and glass windows for the Kirche am Steinhof in Vienna. Steinhof Church commemorative coin In 1905, together with the Klimt group, he separated from the Vienna Secession. The same year, he married Editha (Ditha) Mautner von Markhof, the daughter to one of Austria's great industry fortunes. In 1907 Kolo Moser, due to internal conflicts and as his plans for reorganising the Werkstätte (to cope with financial problems) weren't realised, withdrew from the Wiener Werkstätte. Koloman was one of the designers for Austria's leading art journal Ver Sacrum. This art journal paid great attention to design and was designed mainly by Moser, Gustav Klimt and Josef Hoffmann.
Juriaen van Streeck
(1632 - 1687) was a Dutch Golden Age painter of still lifes. According to Houbraken, he was good at all sorts of still life subjects, including helmets, books, letters, musical instruments, and skulls or dead animals to indicate the transcience of life. He was a follower of Willem Kalf and influenced Barend van der Meer.Houbraken also wrote an entry for his son Hendrick van Streeck, who became a student of Emanuel de Witte and painted church interiors.






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